Synthesizer

To make this synth, I opened up the ES2 synthesizer in Logic, changed the setting to â€Å"series†, turned on â€Å"poly' and made sure it was in â€Å"unison† and opened up a second and third waveform. Next, I split the waveforms evenly using the acute triangle fgure. I set a cutoff to 1 and 2, and used envelope 2 for the cutoff. Finally, I turned both cut settings all the way to the right†¦ from this I got an upbeat dance- style synth that I'd be happy to use on any dancepop/electro track that I was trying to create!Synth 2 For this next tutorial, I wanted to have synthesized drums, so I made a basic drum pattern in ultrabeat opened up the ES2 synthesizer. The first thing I did once I had the ES2 synthesizer open was change the default preset to plain sine. Next, shorten the attack significantly. Then, I shortened to the decay to a little less than half, took away all of the sustain, then shortened the release to about 1/6. Then, I changed the settings so that t he pitch will be modulated by envelope 2.After, I turned on the filter nd set the drive to about 0. 10 to give some realistic harmonics. Finally, I set the sine level up a bit to give a bit more of a bass sound and voila! The perfect synth percussion to add to a d&b or rap track. Synth 3 For synth number three, I set out to make a house/techno-type synthesizer. I opened up my ES2 synthesizer. First, I set the first channel to sine and right clicked down to number 59 â€Å"cryl† and lowered the channel to -17s. Next I enabled the second channel, put it on a saw tooth and lowered it to -24.Next I enabled the third hannel, went to sine and set it up to â€Å"vox3† and set this one to -36s. Brought the icon in the triangle to the center so the sounds are balanced, then turned the analog halfway up. I went to the top and set it to ono and brought the voices down to 4, set the distortion to about 13. 600db. Finally, I routed envelope 1 to cutoff 2 and set cutoff 2 down to O. Lastly, I set the decay up, however, I also like it when I set the decay all the way down, yet still making for a delightfully electronic sound that would fit any good house/techno track!Synth History Perhaps the first fully electronic instrument came along Just before the turn of the 20th century, in 1899, when William Duddell took technology used in the carbon arc lamp, which was known for making a lot of noise, from a high-pitched whistle down to a low hum. Duddell had the lamp examined and his workers cuncluded that the more voltage the lamp received, the higher the pitch of the sound it gave off would be. Duddell hooked a keyboard up to the lamp and tentatively titled it, â€Å"The Singing Arc†, thus birthing the first fully-functional electronic instrument!